Eileen Isagon Skyers
Currently: Brooklyn, NY📍

eileen.isagon.skyers (at) gmail.com

In the age of AI art, what can originality look like? (TED) 

🕥  Wawi Navarroza’s Self-Portraits Contain Multitudes (Hyperallergic) / Pitter Patter is Putting One Foot in Front of the Other (Byline) / Hidden Gems (Creative/Editorial Direction) / Stories We Missed: New Perspectives on Decentralized Art (Frieze) Are We Post-Platform? (DIRT)Fractionalized Everything (FWB) / How NFTs Are Building the Internet of the Future (TED) / The Who Cares Clock (PICA) / Graduate Lecture Series (PNCA) / Take a picture, it’ll last longer (Cult Classic) / Artist Invite: Young Jake and Lucien Smith (Foundation) / Auriea Harvey Splits with bitforms gallery (Foundation) / herstoryDAO manifesto (Foundation)Rick Silva on the nature of a not too distant future (Foundation)exonemo on communicating love and hate for NFTs (Foundation)CTRL: An Interview with Helsinki-based designer Tommi Freeman (Cult Classic)2021 Futurity and Future Publics (Claremont Graduate University)Radical (Re)worlding: AHVA Symposium (University of British Columbia)

⌛  WARMTH IS NOT SIMPLE (.COM) / SPAMM x the WRONG  EPICENTRE (Centre del carme;  Valencia, Spain) / “sick of ur shit,”  (Montez Press Radio; New York) / Black Curators’ Roundtable (Center for Afrofuturist Studies and the Stanley Museum of Art; Iowa City)a2p /Warmth is not simple (SORBUS; Helsinki) / Dead Angle (Alyssa Davis Gallery; New York) /Rehearsing Hospitalities; FRAME Contemporary Art Finland & FCINY / What We Emanate; (Black Ball Projects) /A Complete Change Of Form Into A More Beautiful Or Spiritual State (Cooper Cole) /The Art Happens Here (Exhibition Catalogue; Rhizome) / Mise En Place (Chroma NY) / First Language (Lost in the Sauce NYC) / Model Behavior (Rhizome) / Eyes Without a Face (Solo Exhibition; Williamson Knight) / Eyes Without a Face (NATASHA Publication) / NADA Miami Beach 2018 / While Removing the Garbage or Paying the Cleaner (Curated Exhibition; American Medium) / Accoustic Sound Blankets (Co-organized performance; Baseera Khan at Gavin Brown’s Enterprise) / Black Gooey Universe (Co-curated Exhibition; HOUSING) / No Domain (Two-Person Exhibition; Littman Gallery)Trigger: Gender as a Tool and Weapon (Exhibition Catalogue; New Museum); Discursive Impulse (PNCA) / Code is Amoral (Rhizome) / Marisa’s American Idol Training Blog (Rhizome) / Blockedt! (Rhizome) / Reset III and Virtual Reality (DiMoDA 2.0; Peer to Space) / Morphé Presence (DiMoDA 2.0; RISD Museum) / Vanishing Acts (Link Editions) / New Contact (Solo Exhibition; Littman Gallery) / Custom Effect (Surplus Space; QUAID) / To Feel What I Am (Co-curated exhibition; Hap Gallery) / Websafe 2k16 / Printed Web #3  

📰  “Future Visions,” Cult Classic Mag Issue 04 / Contemporary Art Daily / “Best of 2018,” Hyperallergic / “Taking Over the World with Your Friends,” Cult Classic Mag Issue 02 / Interview; This Used to Be Us / “HOUSING Opens with ‘Untitled Passage’” Topical Cream / “Art & Gentrification,” Artspace / “Andre Filipek and Cole Lu at American Medium,” Artforum Critic’s Pick / “Everything Old is New Again,” Creative Applications / “Meet the Brooklyn-based Gallery Giving Rise to Artists of Color,” Posture Magazine / Podcast Interview; Humor and the Abject / “Where Does the Black Screen Reside?” AQNB / “Briefing,” Frieze / “Next Week’s DiMoDA Launch,” ArtFCity /  “DiMoDA 2.0: Morphé Presence,” e-flux / “Four Worlds Emerge at DiMoDA,” Vice / Interview; Five Things with Ace Hotel /

CV Available upon request.